“As a human being I have faults, you have faults, we all have faults. Even a great movie has faults. I think a great movie should have personality. And personality means that there are flaws, and you don’t have to correct the flaws. When you correct the flaws you’re eliminating personality. The Greek word for tragic flaw actually means, in Greek, defining characteristic. So the thing which makes the character is the thing which makes the flaw. Charlie Kaufman’s movies are highly admired and yet if you analyze them almost all of them have some problem in the third act, things that don’t really work—but they’re part of the fabric. And if you were to clean it up entirely maybe the whole thing won’t work as well…Every script, every movie has a certain DNA, and things which seem illogical may work…Because movies have gotten so expensive, executives feel more fear. And that fear rules. And that fear forces executives to make your screenplay perfect. Perfection is the enemy of art. It’s the enemy of character. It’s the enemy of anything that’s dynamic and interesting.”
Nick Kazan



