“To grow I must disturb, adapt and build strength. I imagine my life as a body of water, and when the water is completely level and still I print my work and reflect on my diary and ideas. These tidal waves occur through traveling to a new city, facing my fears, reaching out to new people, to name a few. It could be simply forcing myself to walk outside. An artist needs to disturb the stillness of oneself and others around them…” — Brittany Markert

JEWS HAVE SIX SENSES
Touch, taste, sight, smell, hearing … memory. While Gentiles experience and process the world through the traditional senses, and use memory only as a second-order means of interpreting events, for Jews memory is no less primary than the prick of a pin, or its silver glimmer, or the taste of the blood it pulls from the finger. The Jew is pricked by a pin and remembers other pins. It is only by tracing the pinprick back to other pinpricks – when his mother tried to fix his sleeve while his arm was still in it, when his grandfather’s fingers fell asleep from stroking his great-grandfather’s damp forehead, when Abraham tested the knife point to be sure Isaac would feel no pain – that the Jew is able to know why it hurts.
When a Jew encounters a pin, he asks: What does it remember like?

Jonathan Safran Foer, Everything Is Illuminated


“There is a vitality, a life force, an energy, a quickening that is translated through you into action, and because there is only one of you in all of time, this expression is unique.
If you block it, it will never exist through any other medium and it will be lost. The world will not have it.
It is not your business to determine how good it is, nor how valuable, nor how it compares with other expressions.
It is your business to keep it yours clearly and directly, to keep the channel open.
You do not even have to believe in yourself or your work.
You have to keep yourself open and aware to the urges that motivate you.
There is only a queer divine dissatisfaction, a blessed unrest that keeps us marching and makes us more alive than the others”
― Martha Graham


Quotes: Gus Van Sant

You can’t copy a film. If I hold a camera, it’s different than if Irving Penn holds it. Even if it’s in the same place, it will magically take on his character. Which was part of the experiment. Our ‘Psycho’ showed that you can’t really appropriate. Or you can appropriate, but it’s not going to be the same thing.